2. the path the viewer's eye follows through the image
1. the sensation of objects moving within an image can be alluded to through the use of various visual elements
-curves can give a sense of motion as these lines are not tied to the vertical and horizontal structure of the picture plane
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| Vincent Van Gogh |
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| Hexagonall |
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| Sonia Delauney |
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| Theodore Gericault |
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| Wassily Kandinsky |
-repetition and rotation of a form within an image will also create a sense of movement, as our eye will infer the action of the form turning in space
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| Marcel Duchamp |
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| Vodaphone Headquarters, Portugal |
2. The viewer's eye can be purposefully moved throughout a composition to maintain a sense of visual harmony, as well as direct us to a focal point within the image
-directional lines (actual and implied lines, and gazes) can direct the viewer's eye to a focal point within a composition, communicating what is most important in a design
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| Mary Cassatt |
...or keep the eye moving around the composition, maintaining a sense of visual equilibrium (see the discussion in Balance)
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| James Whistler |













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